Cube of Curiosity
Cube of Curiosity Cube of Curiosity is a multi-disciplinary performance of music, dance and visual art, which sets out to explore the physical and emotional dynamics of the human through the senses and perceptions of three characters: a percussionist/boy, a dancer/seated man and an artist/girl. The performance takes place in and around a cubic metal […]
Awkward Beauty
Awkward Beauty Awkward Beauty, commissioned by Amy Seiwert Imagery as part of the SKETCH series and premiered 25th-28th July 2013, at the ODC Theatre in San Francisco. Awkward Beauty investigates structures, both architectural and emotional foundations and environments. creative team Marc Brew – ChoreographyDan Wool – Composed Original ScoreChristine Darch – Costume DesignerDancers – Brandon […]
Tilt
Tilt Tilt commissioned by The City of London Festival in 2013. Tilt explores conflict and resolution within the ever-changing city landscape, drawing on moments shared between people in a dynamic tango clash of ballet and the outdoors. creative team Marc Brew – ChoreographyRebecca Evans – Rehearsal DirectorTango Clash – Balbonized – MusicThe Central School of […]
Stuck in the Mud
Stuck in the Mud Stuck in the Mud, commissioned by GDance in association with Ballet Cymru in 2013. Get the whole family stuck into some playful dance. Toddlers, teenagers, parents and grandparents will love this unique and inspiring performance with an atmosphere of fun and awe. Stuck in the Mud is a magical, family friendly, […]
Full of Words
Full of Words Commissioned by Axis Dance Company, 2011 Full of Words has been created as a series of physical conversations, encounters and interventions that reflect what it is to be human. creative team Marc Brew – DirectionMarc Brew in collaboration with the dancers – ChoreographyAndrea Basile – Choreographic/ Rehearsal AssistantHeather Basarab – Lighting DesignSonsherée […]
Parallel Lines
Parallel Lines Commissioned by Candoco Dance Company, 2011 Came from the lines that link – or divide – people and countries. This is best represented by the commissioned set, which creates lines dividing the space and by the movement material, which is formal and linear. Influenced by his experience as a dancer using a wheelchair, […]
